exhibition

The history of psychiatry

permanent collection
01.10.07 - 30.12.20

What is the extraction of the stone of madness? How do shamans expel evil spirits? What was the effect of the ‘rotation therapy’, invented by Belgian’s first psychiatrist Joseph Guislain? What objects protect us from disease and madness? What does present-day psychiatry look like?

In the course of history people have dealt with madness through a mixture of magic and religion, coercion and care, supervision and science. The unreasonable have been punished, anointed, cared for and cured.

The history of mental health care has known a good deal of desperation, malpractices and sometimes unjustified euphoria. The mental patient confronts us with questions that are hardly answerable and problems that are anything but easy to solve. How do we deal with those who are different? How do we deal with that which is different in ourselves?

The permanent exhibition on the history of psychiatry also pays attention to madness in other cultures and to contemporary questions, problems and ideas. By presenting the terms ‘madness’ and ‘mental illness’ in their historical and cultural contexts, the Museum Dr. Guislain wants to challenge the line between ‘normal’ and ‘abnormal’.

Read more
exhibition

Ave Luïa

The Newest Testament according to La ā€œSā€ Grand Atelier
24.06.17 - 15.10.17

Ave Luïa dives into an extraordinary world of cardinals and nuns, chasubles and crucifixes, cathedrals and stained glass windows, and creates a universe in which well-known religious images change their shape. Far removed from ideological discussions or heated debates, the exhibition celebrates the creative approach to catholic imagery and the stories that are deeply embedded in western culture. The Mystic Lamb gets a make-over, the New Testament a surprising interpretation. Candid apostles and rebellious exegetes turn Ave Luïa into a celebration of divine pleasure.

Ave Luïa was created in La ‘S’ Grand Atelier, a creative center for artists with a mental disability in Vielsalm, which is famous for its original approach to art brut. The daring collective and thematic projects, and the many collaborations with contemporary artists, have given la ‘S’ a unique place in the art world.

Bruno Decharme/collection abcd and Antoine de Galbert purchased this extraordinary set of works together, in order to conserve it in its entirety and present them to as broad a public as possible.

Collections abcd / Bruno Decharme, Paris  & Antoine de Galbert, Paris

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exhibition
Nek Chand

The Cabinets

Art Collections from the Collectie De Stadshof Foundation and the Dr. Guislain Museum
24.06.17 - 30.12.20

Art is an essential part of life. It touches us, stimulates our imagination and makes us reflect about mankind and society. Because of its virtuosity and expressiveness, art can be shamelessly beautiful and evoke a sense of awe.

Contemporary museums exhibit work by professional artists. Few museums focus on collecting and exhibiting work from original talents, people who did not get the opportunity to study art or who are not part of the regular art circuit for one reason or another. They are usually artistic loners, nonconformists, who make unorthodox choices in terms of the materials and techniques they use. Their motifs are often personal. Their works are intense and unique.

The Cabinets provides a platform for ‘solitary creators’ whose work will be arranged in changing presentations: recent acquisitions are exhibited, vulnerable works are returned to the depot and new themes are addressed.

The Cabinets is a collaboration between the Collectie De Stadshof Foundation and the Dr. Guislain Museum. It presents works of some thirty different artists.

The Museum Dr. Guislain’s collection started off with a small collection of visual art created by artistically-gifted psychiatric patients and mentally challenged persons. In 2002, the collection in Ghent expanded tremendously with the internationally acclaimed collection of De Stadshof Collection Foundation, which is on long term loan. This top-of-the-bill collection – from naïve art to art brut – has more than 6,000 pieces by nearly 400 outsider artists such as A.C.M., Herman Bossert, Nek Chand, Paul Duhem, Luiz Figueiredo, Madge Gill, Siebe Wiemer Glastra, Bertus Jonkers, Pavel Leonov, Bonaria Manca, Markus Meurer, Michel Nedjar, Oswald Tschirtner, Willem van Genk, and August Walla.

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exhibition
Sébastien Van Malleghem

(Un)treated

On internment, crime and punishment
06.05.17 - 15.10.17

Should someone who has committed a crime, but who is not responsible for his/her deeds, be punished? Or is psychiatric treatment more appropriate? And what if the latter is not available?

We can get an idea of the situation of a convicted criminal or a psychiatric patient. But it is not that simple when it comes to an interned person. The exhibition (Un)treated shows the daily life of interned persons, but also pays attention to the abstract judicial framework. Behind the court rulings there are people with psychological problems and/or impairments. Although internment seems to be a suitable alternative for detention, the reality is often complex and problematic.

(Un)treated. On internment, crime and punishment wishes to contribute to the debate on forensic psychiatry, and confronts the history, the compelling topicality and the jurisdiction and legislation, with personal stories of perpetrators and victims.

(Un)treated is a cooperation of Orde van Vlaamse Balies, Handelsreizigers in ideeën and Dr. Guislain Museum.

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22.08.2017
exhibition

Ave Luïa

The Newest Testament according to La ā€œSā€ Grand Atelier
24.06.17 - 15.10.17

Ave Luïa dives into an extraordinary world of cardinals and nuns, chasubles and crucifixes, cathedrals and stained glass windows, and creates a universe in which well-known religious images change their shape. Far removed from ideological discussions or heated debates, the exhibition celebrates the creative approach to catholic imagery and the stories that are deeply embedded in western culture. The Mystic Lamb gets a make-over, the New Testament a surprising interpretation. Candid apostles and rebellious exegetes turn Ave Luïa into a celebration of divine pleasure.

Ave Luïa was created in La ‘S’ Grand Atelier, a creative center for artists with a mental disability in Vielsalm, which is famous for its original approach to art brut. The daring collective and thematic projects, and the many collaborations with contemporary artists, have given la ‘S’ a unique place in the art world.

Bruno Decharme/collection abcd and Antoine de Galbert purchased this extraordinary set of works together, in order to conserve it in its entirety and present them to as broad a public as possible.

Collections abcd / Bruno Decharme, Paris  & Antoine de Galbert, Paris

Read more
exhibition

The Cabinets

Art Collections from the Collectie De Stadshof Foundation and the Dr. Guislain Museum
24.06.17 - 30.12.20

Art is an essential part of life. It touches us, stimulates our imagination and makes us reflect about mankind and society. Because of its virtuosity and expressiveness, art can be shamelessly beautiful and evoke a sense of awe.

Contemporary museums exhibit work by professional artists. Few museums focus on collecting and exhibiting work from original talents, people who did not get the opportunity to study art or who are not part of the regular art circuit for one reason or another. They are usually artistic loners, nonconformists, who make unorthodox choices in terms of the materials and techniques they use. Their motifs are often personal. Their works are intense and unique.

The Cabinets provides a platform for ‘solitary creators’ whose work will be arranged in changing presentations: recent acquisitions are exhibited, vulnerable works are returned to the depot and new themes are addressed.

The Cabinets is a collaboration between the Collectie De Stadshof Foundation and the Dr. Guislain Museum. It presents works of some thirty different artists.

The Museum Dr. Guislain’s collection started off with a small collection of visual art created by artistically-gifted psychiatric patients and mentally challenged persons. In 2002, the collection in Ghent expanded tremendously with the internationally acclaimed collection of De Stadshof Collection Foundation, which is on long term loan. This top-of-the-bill collection – from naïve art to art brut – has more than 6,000 pieces by nearly 400 outsider artists such as A.C.M., Herman Bossert, Nek Chand, Paul Duhem, Luiz Figueiredo, Madge Gill, Siebe Wiemer Glastra, Bertus Jonkers, Pavel Leonov, Bonaria Manca, Markus Meurer, Michel Nedjar, Oswald Tschirtner, Willem van Genk, and August Walla.

Read more
exhibition

(Un)treated

On internment, crime and punishment
06.05.17 - 15.10.17

Should someone who has committed a crime, but who is not responsible for his/her deeds, be punished? Or is psychiatric treatment more appropriate? And what if the latter is not available?

We can get an idea of the situation of a convicted criminal or a psychiatric patient. But it is not that simple when it comes to an interned person. The exhibition (Un)treated shows the daily life of interned persons, but also pays attention to the abstract judicial framework. Behind the court rulings there are people with psychological problems and/or impairments. Although internment seems to be a suitable alternative for detention, the reality is often complex and problematic.

(Un)treated. On internment, crime and punishment wishes to contribute to the debate on forensic psychiatry, and confronts the history, the compelling topicality and the jurisdiction and legislation, with personal stories of perpetrators and victims.

(Un)treated is a cooperation of Orde van Vlaamse Balies, Handelsreizigers in ideeën and Dr. Guislain Museum.

Read more
exhibition

The history of psychiatry

permanent collection
01.10.07 - 30.12.20

What is the extraction of the stone of madness? How do shamans expel evil spirits? What was the effect of the ‘rotation therapy’, invented by Belgian’s first psychiatrist Joseph Guislain? What objects protect us from disease and madness? What does present-day psychiatry look like?

In the course of history people have dealt with madness through a mixture of magic and religion, coercion and care, supervision and science. The unreasonable have been punished, anointed, cared for and cured.

The history of mental health care has known a good deal of desperation, malpractices and sometimes unjustified euphoria. The mental patient confronts us with questions that are hardly answerable and problems that are anything but easy to solve. How do we deal with those who are different? How do we deal with that which is different in ourselves?

The permanent exhibition on the history of psychiatry also pays attention to madness in other cultures and to contemporary questions, problems and ideas. By presenting the terms ‘madness’ and ‘mental illness’ in their historical and cultural contexts, the Museum Dr. Guislain wants to challenge the line between ‘normal’ and ‘abnormal’.

Read more